Finn Viderø - Passacaglia for Orgel (1946)
During the interwar period, certain composers revived the Classical aesthetics to replace the exaggerated emotionalism and formlessness of the late Romantic era. Whilst they drew inspiration from music of earlier centuries, they often employed twentieth century tonal and rhythmic devices, resulting in the Neo-classicism. Some of these composers, such as Viderø, were found particularly influenced by Baroque traits; hence, their compositions are called neo-Baroque music… [126 more words]
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